From MLive.com:
Did you know The Who's John Entwistle, or maybe Keith Moon, came up with the name Led Zeppelin, after jokingly referring to a group performance "going down like a lead zeppelin"?
Or that a relative of the famous Ferdinand von Zeppelin then demanded that the heavy rock band of "shrieking monkeys" stop using that name?
Did you know "I Heard It Through the Grapevine," which soared to No. 1 in 1968 for soul legend Marvin Gaye (and became a hit for five other artists) was initially rejected by Motown executives?
And were you aware that Queen guitarist Brian May in 1974 turned down an offer to join the psychedelic rock band Sparks, which told him "it's pretty obvious that Queen are washed up" as a group? Queen's breakout album, "Sheer Heart Attack," followed soon after and the rest is glam rock history.
Four new books that crossed my desk in recent weeks have left me drooling over my computer keyboard with such irresistible, behind-the-scenes tales of rock, pop and R&B.
In particular, Mark Wilkerson's new biography, "Who Are You: The Life of Pete Townshend
" (Omnibus Press, $29.95) ranks as a gem, delving into the brain behind one of classic rock's most dynamic outfits. He reveals that:
-- Townshend's protruding proboscis, uh, large nose, "haunted him for years." But it also made him defiant and inspired his stage flamboyance. The guitarist told a newspaper the "whole absurdly demonstrative stage act was out to turn myself into a body instead of a face."
-- The Who nearly fired Moon, considered one of rock's most influential drummers, in 1978 during sessions for "Who Are You" due to his constantly inebriated state. "Moon's ill health -- he was overweight and battling alcoholism -- took its toll on his physical ability to play," writes Wilkerson, noting Townshend and singer Roger Daltrey gave Moon an ultimatum: Get it together or you're out. Moon did, but only until the record was done. He later died of an accidental overdose.
Then there's "1,000 Recordings to Hear Before You Die
," by music critic Tom Moon (Workman Publishing, $19.95), which covers such a wide spectrum of albums, pop to jazz to classical, I doubt I've enough years left to cram them all in (though that's more likely than seeing the Lions in the Super Bowl).
Moon's crisp descriptions of recording marvels reveal that Booker T. and the MGs' biggest hit, "Green Onions," (1962) simply came out of "a spontaneous jam" while waiting for a singer who never showed up. The same is true for the eerily titled "Buried Alive in the Blues," an instrumental on 1971's "Pearl," singer Janis Joplin's final album: She was set "to return to the studio the day after she died, to do the vocals."
Meanwhile, "Whole Lotta Led Zeppelin: The Illustrated History of the Heaviest Band of All Time
," by Jon Bream and others (Voyageur Press, $40), could be subtitled "The History of the Hardest Partying Band of All Time," what with tales of groupies, alcohol and carousing, not to mention a comical anecdote about drummer John Bonham getting stuck to a toilet seat on the band's jet.
It also recounts how the now-revered Led Zeppelin was once widely disparaged by critics. It left band members "hostile" to publications such as Rolling Stone, which called 1973's "Houses of the Holy" a "limp blimp." They even hired a press agent to improve their image, eventually agreeing to an interview for a 1975 Rolling Stone cover story that turned the tide.
Finally, there's "I Hate New Music: The Classic Rock Manifesto
" (Backbeat Books, $22.95), by music journalist/author Dave Thompson, who delivers an outrageously readable indictment of post-1980 music. It, too, brims with rock 'n' roll nuggets.
Read more of "New Rock 'n' Roll Books Tell Behind-the-Scenes Stories"...